As we reassembled after a 5 week month, we welcomed 2 new participants to the group and the discussion during the afternoon was as diverse and lively as usual. Our topic was Geography and we found many approaches to it.
Starting very sensibly we heard Caroline Bird’s short and somewhat pessimistic ‘Geography Lessons’. This was followed by Keat’s ‘On First Looking into Chapman’s Homer’ – what a contrast as the poet presents his excitement at intellectual discovery in terms of geographical exploration. My poem was the last part of Shelley’s ‘Mont Blanc’, and after this, came Ian McKay’s ‘Volcanoes’. It was remarked that the first 4 poems all contained references to mountains of one kind or another – but all very differently handled.
We had a complete change of location with Seamus Heaney’s ‘The Peninsula’ and Robert Frost’s ‘The Road Not Taken’. Following their engagement with psychology and to some extent even with epistemology, Edward Thomas’s profoundly melancholy ‘Rain’ provoked a good deal of comment.
The emerging poet Miriam Gamble’s ‘On Fancying American Film Stars’ generated some discussion on one of our perpetual themes: ‘what makes a poem a poem and what makes a good poem?’
We finished gently with Frances Thomson’s ‘Arab Song’.
In September we have Free Choice again.
Sunday, August 8, 2010
July 3rd 2010 Free Choice
After our excursion into France and all things French in June, we were back to free choice in July. This produced the usual eclectic mix and intense discussions, so much so that at least one poem had to be held over until August.
Among our July poems were the troubling and fascinating ‘Yeah Yeah Yeah’ by Roddy Lumsden which is a reaction to and elaboration of the Beatles song of the same title. Ben Jonson’s Epigram XLII – ‘On Giles and Joan’ was a much merrier and wittier insight into the relationship of a married couple at a time when it was virtually impossible to get out of a marriage no matter how bad it was. We stayed in the early modern period with the Dirge from Shakespeare’s Cymbeline that begins ‘Fear no more the heat o’ the sun’. The importance of renown was not appreciated by everyone, but the poem met with general approval. Seamus Heaney’s grim ‘Mid-Term Break’ continued the theme of mortality, relating the funeral rites for his little dead brother. The phrase ‘wearing a poppy bruise’ was particularly noted. ‘Hamnavoe’ had to be left over till August as we ran out of time. It was fortunate then that our August topic was to be Geography.
Among our July poems were the troubling and fascinating ‘Yeah Yeah Yeah’ by Roddy Lumsden which is a reaction to and elaboration of the Beatles song of the same title. Ben Jonson’s Epigram XLII – ‘On Giles and Joan’ was a much merrier and wittier insight into the relationship of a married couple at a time when it was virtually impossible to get out of a marriage no matter how bad it was. We stayed in the early modern period with the Dirge from Shakespeare’s Cymbeline that begins ‘Fear no more the heat o’ the sun’. The importance of renown was not appreciated by everyone, but the poem met with general approval. Seamus Heaney’s grim ‘Mid-Term Break’ continued the theme of mortality, relating the funeral rites for his little dead brother. The phrase ‘wearing a poppy bruise’ was particularly noted. ‘Hamnavoe’ had to be left over till August as we ran out of time. It was fortunate then that our August topic was to be Geography.
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